• *O Death!

    “Against you I will fling myself, unvanquished and unyielding” – Virginia Woolf, The Waves

    Death and I have been intimately intertwined for as long as I can remember.

    I’ve written and sung about it, studied it — asked for it.

    The first time someone close to me died, it was my great grandmother Beli, one of the purest souls I’ve had the pleasure of knowing. When I was small, I slept in her bed, listened to her stories, helped her finish crossword puzzles, brushed her hair. In return, she taught me how to pray, sew, and pay attention to the smallest of moments–like squirrels walking the wires of my backyard.

    She also taught me love, unconditional and endless.

    As she started the process of untethering (life will prepare you for death), she began to forget things, like where she placed her glasses, how to cook, even my name at times–calling me by my mother’s or my aunt’s.

    She forgot everything, except how to pray. She could still pray the entire rosary.

    When I got the FaceTime from my mother the afternoon she died, no words were really said between us. I knew from the expression on her face and the painting in the background —revealing Beli’s apartment—that death had come. That moment never ends in my head-it just goes on and on and on and on. No more holding her hand, no more of her stories, no more praying together.

    Still, I didn’t understand death then–not nearly as much as I do now.

    Exactly one year ago today, I came face-to-face with death in a manner which I did not expect. My father had taken a trip to Cuba to look after some sick relatives, and a few days before he was supposed to return, was hospitalized.

    He was diabetic, which meant the risks were higher anytime he contracted anything. We had a bad feeling from the moment we found out. Still, I tried to hold on to my faith. I spent hours looking up his chances of survival as a diabetic man hospitalized under Cuba’s conditions. I tried to walk away the dark thoughts. I wrote. I sung. I prayed (something that I hadn’t done in years and brought me back to Beli).

    I wanted to believe he would come back to me. Even in my dreams that night, I clung to that faith. I dreamt that we were in that hospital bed in Cuba together. I was tucked right under his arm like a small child, while we watched every moment we ever shared together play before us like a film—

    until the phone call woke me. It was my cousin, the one my father was staying with in Cuba.

    “tu Papa falleció.”

    He died. My father died. He died. He died. He died. My sister and I stared at each other, trying to grasp at any words that might comfort us but none would do.

    The silence filled—nothing else filled.

    When we called my little brother into the room to tell him, his face lost all expression, too. I can’t shake the image from my memory. That initial moment contains a suffering so profound that it makes no sense to my brain at all but always, always gets a reaction from my heart. On our way home to our family (we had been on vacation with my mother), I somehow found it in me to journal and meditate in the name of loving awareness.

    The sun had only just risen. The sky looked gentle and inviting. I couldn’t help but feel at peace, despite the grief taking root in me.

    When my grandmother came back from Cuba (she had been with my father), I spent multiple nights sleeping in between her and my aunt. Our eyes were raw from the tears, our bodies: fragile shells of the people we once were; we could barely sleep or eat or even speak.

    It was a very silent time for my family. There was a lot of suffering.

    But there was also a lot of love, too, an abundance of it, really. I tried to exist in that space of light as much as I could.

    I got my grandmother to share stories from her childhood with me to get things off her mind, we prayed together, had lots of coffee (something we did often with my father), and, desperate at first, were able to rationalize my dad’s death until we could finally accept it.

    Eventually, I returned home to my own space. That day the sky was shedding itself completely. I stepped outside and let the rain wash over me.

    I laid my body down on the dirt and listened to the sounds of nature’s outpour, then to my own heartbeat, over and over and over. It was almost like being held by my father again. I thought maybe the rain was some sort of message for my family, for me, that the Earth was grieving, too,

    that “loss” is only a ripple into the sea of eternity.

    A lot of what happened in the weeks that followed are hazy. All I know is that I tried to feel my grief as freely as I could. I tried to stop thinking about how I could’ve possibly been a better daughter, how I could’ve told him that he was the father figure we all needed from my aunts to my grandmother to my cousins to us, his three children, how he changed my life and continues to do so even after his death. The circumstances of the situation often made me go to dark places. I wished I had been in that hospital bed in Cuba with him like in the dream I had. I wished I had called him like he wanted a few nights prior to his hospitalization. I wished I had control over it, all of it, and don’t we all? But in many ways it was perfect how things happened. Maybe I didn’t need to see him in such a dire state. Maybe all he needed was his mother and the country he loved. My faith remained in me and carried me through the darkest night of the soul. Thanks to my trust in this life, I walked the shadows of grief with grace and on I will go.

    I started college only a few weeks after. There were so many times that I would start tearing up during lectures or wish that I could tell my dad about my school day only to remember that I couldn’t. Still, I was full of joy. I was more grateful than ever. I couldn’t believe happiness was possible after such suffering–but it was,

    and it is.

    I’ve never feared death. I have craved it, studied it, honored it, even asked for it, but I have never feared it. Until my father died, I hadn’t realized that death was still nothing but a concept to me. Only once he died did I really start to fear it. I couldn’t stop obsessing over seeing everyone as often as possible because what if something happens and I never get to see them again? I started worrying about my health a lot, too, obsessively asking myself how much longer I’d have on this Earth. I even looked up my life expectancy. And keep in mind, I’ve dealt with suicidal thoughts since elementary school, so this was new for me.

    Exactly one year ago today, my father died. Exactly one year ago today, the desire for death left me. I don’t cling to my suffering anymore; in fact, I try not to cling to anything at all. I can’t ignore the trials of this life, but I can’t ignore the blessings of it either. I can’t ignore that both are intertwined and necessary and wonderful in their own divine ways, even if sometimes I can’t understand quite how.

    Since my father died, I have honored (and LOVED) my life like never before. I have gotten even closer to family, friends, and myself. I have witnessed newly found strength and faith in those that have grieved beside me. We have all become more grateful, honest, united, and more passionate about the art of living. It’s so strange how things work. All my father ever wanted for us was exactly what we embodied after his departure.

    Now, yes, I will spend some of today in tears–but that doesn’t mean I will forget to smile or laugh or hold my grandmother or write a poem or dance around. I will hold the day with grateful arms, recognizing the harmony in it all, letting everything wash over me without expecting any of it to last–knowing that it won’t. Death is no longer just a concept in my mind. It is real–as is life.

    O Death! not to understand nor tame you but to honor you in pure surrender, lest we wish to forget the living that precedes you, that would cease to exist without you.

    A few of my personal resources for grief (though the best resource is within and around you):

    https://yssofindia.org/spiritual/understanding-death-and-loss

    https://www.ramdass.org/walking-each-other-home/

    + I am here for you, too. If you are grieving or suffering in any way, whether it be spiritual, emotional, mental, or physical, my heart holds space for you, too, to crawl inside and make yourself a bed that you may rest in love and light.

    May All Beings Everywhere be Happy and Free.

  • The Disappearing Act

    By S. Bruzon

    you’re asking

    (pleading)

    show me where the light is. 

    /

    unrepentant, 

    I ask you to undress me. 

    /

    you are a nonconformist

    that has tried to conform–

    /

    you strip me from behind

    and try to wear me 

    like a uniform. 

    /

    I,

    too,

    have tried to 

    wear you. 

    /

    I,

    too,

    have mistaken 

    sin 

    for 

    an excuse 

    to excavate 

    /

    the 

    carcass  

    within, 

    /

    the swan’s 

    frail body

    that has since rot. 

    /

    the smell

    of it that fills us up

    until 

    the ashes come 

    out of our mouths 

    every time we speak

    recite 

    sing

    or fuck. 

    /

    you’re asking
    (pleading) 

    would you mix your ashes

    in with mine? 

    /

    yes

    and I can be the urn 

    until it is your turn 

    to be mine. 

    /

    to unspeak 

    to unlove

    to undo

    to be penetrated

    in the 

    aperture 

    that most defines you. 

    /

    dressed in white,

    I could be a puritan,

    or what’s left of Him–

    a skeleton

    a handmaid.

    /

    and 

    yes, I am handmade. 

    /

    only under your hand

    am I real. 

    /

    when the time comes, 

    /

    forget the ashes.

    /

    like them, 

    we want to disappear. 

    /

    if you want to be unseen, 

    /

    don’t worry don’t touch me

    /

    I, 

    too,

    am not here. 

  • My (?) Body

    My (?) Body


    The question of bodily autonomy captured in the span of three debilitating–but necessary–days of shooting. This is my truth–and a truth that all women share. Always sacred, often enraging, occasionally akin to a crime scene: womanhood.

    My (?) Body and The Wandering Womb

    digital photographs with overlayed scanned drawing. both by Bruzon.

    a photographic exploration of the ridiculing of the womb throughout history, as if it weren’t a sacred vessel–only a diagnosis of hysteria.

    /

    My (?) Body and Motherhood

    projected images with overlays by Bruzon.

    A woman’s duty is first to mother herself–and then, if she so chooses, to extend that motherhood to another being.

    /

    My (?) Body and Abortion

    digital images with overlays and projections detailing abortion by Bruzon.

    Realize that what you are asking is scars of my womb, blood that will traumatize generations to come. I will decide as The Creator under which circumstances to create. If you do not give me permission, I will give it to myself–and the blood will fill your streets.

    /

    My (?) Body as an Invitation

    photograph by Bruzon.

    Just because I talk, look, or move a certain way does not give you the right to have me. The invitation is mine to give.

    /

    My Body

    digital photographs by Bruzon.

    I declare myself the sole owner of my body. I declare all women the sole owners of their bodies.

    /

    THANK YOU

    To all women who are or have ever been. Your existence empowers me. Your history enrages but also inspires me. I dedicate so much of my work to you. These are not my stories–these are ours.

    To my best friends for always showing up–from open mics to exhibitions, to helping me organize events, you have gifted me the power of true friendship.

    To my little sister, an eighteen-year-old business owner (how do you like that, patriarchy?). My love for you is akin to that of a mother’s.

    To my aunts and grandmother who in the absence of my father–and in all their grief–have continued to keep me rooted in the power of family. Without you I might float away.

    To my mother who almost died giving birth to me and then again while raising me (I was the worst teenager). Mami, your love is the answer to most things.

    And to the rest of my family and friends and all of you here today or tomorrow or at any point in my career. Your presence alone is a sanctuary for my art and myself.

    Art is as much a conversation with the artist as it is a conversation with yourself. Thank you for showing up for the both of us.

    /

    FINAL STATEMENT AND RESOURCES

    May “My (?) Body” serve as a reminder that there is still work to be done. Just earlier this month in Florida, a law prohibiting abortions after six weeks “with few exceptions” went into effect. Since the overturning of Roe V. Wade, we have been living in a very Atwood-esque country. Here’s an Interactive Map of Abortion Bans Across The U.S. and a Resource for Abortions as well as The Suicide & Crisis Hotline because I know sometimes it gets to be too much. You are never on your own. I am here, too. Thank you again.

  • 72923

    the bulbs exploded

    first, 

    then Dad’s aorta burst. 

    /

    don’t leave,

    I’m going.

    /

    I didn’t leave,

    unknowing

    /

    he would be buried in July.

    / 

    the light, still-born and dry, 

    and I ask, 

    is he without body now?

    /

    no more skin suit, 

    no more chamber? 

    /

    are we strangers again,

    father, are we strangers? 

    /

    your death has 

    declared me

    childless,

    no words

    left to bear.

    /

    I say your name over and over

    like a prayer

    before I go to bed.

    /

    I don’t how to love

    without conjuring the dead,

    /

    so this is only appropriate.

    /

    I take drags of silence, ash the cigarette

    of hope–

    / 

    and how else should I cope?

    /

    you’re dead even in my dreams now. 

    /

    the bulbs exploded. 

    then the light went. 

    then you,

    then you did.

    /

    and the house we were in 

    when we found out wasn’t ours. 

    /

    it was too far from everyone 

    who loved you. 

    /

    and she lit a cigarette, 

    which they reprimanded her for, 

    as the bulbs exploded,

    shards on the floor,

    and your aorta burst.

    /

    never mind what went first.

    /

    the light, I don’t even

    remember.

    /

    disregard the illness,

    the hunger,

    the weather—

    /

    In another country,

    I wait to hear you’re better. 

    /

    death: 

    the trip we could not take together.

  • She is/I am

    For A.

    please me.

    /
    bend,

    so that I may see your spine. 
    /

    let me walk away with nothing, 

    let it be the last thing I call mine. 
    /

    please me. 
    /

    please, me. 
    /

    the film is caught 

    in your hair, 

    lover, 

    let me see. 
    /

    let me touch you

    there, through that 

    image, 

    /

    let us be

    /

    where the act of presence

    and absence

    coexist. 
    /

    where one sight takes you to another

    and leaves you sighing, 

    on the verge of dying

    at the mouth you almost kissed.

    /

    may it be rapture, 

    this place, unmissed. 
    /

    may it make ripples

    in the river of your corporeal,

    the film you make 

    to show that you, too,  

    exist. 
    /

    you have captured it—

    it is tangled in your hair. 
    /

    let me in. 
    /

    I want to touch you

    /

    there. 
    there.

    /

    with my heart, 

    soundly. 

    with my soul, 

    bare.

    /

    with everything

    but hands.
    /

    I want to bleed 

    for someone who understands.

    (do you?)
    /

    bend, bend,

    that I may see your spine. 
    /

    you have already undressed me 

    to my last line. 

  • my sister’s arrival

    When I lived alone, 

    I asked for you

    over and over

    in my child voice. 

    /

    When you were coming,

    I waited and waited,

    with my child patience—

    impatient.

    /

    And then,

    /

    you arrived

    like the sun

    to my windows

    /

    and spilled through every white blind,

    /

    into my heart, into my being.

    /

    Your tiny fingers wrapped around 

    mine, 

    we laid in our bed.

    /

    I counted the stars on the ceiling,

    and kissed your baby head. 

    /

    Now we have separate rooms,

    /

    and we sleep in the dark, 

    /

    but you know that my love for you

    goes further than these waves,

    even further than that arc.

    /

    It is the axis on which I am turning, 

    /

    the space that keeps me from 

    dissolving.

    /

    It is the part of me

    that never wavers

    /

    the part of me that keeps evolving.

    /

    Loving you has been as natural as loving myself,

    /

    like it’s been asked of me

    since the day you arrived. 

  • one-way admission

    I bring my song to you last,

    /

    I bring myself:

    /

    barefoot

    and restless

    with longer hair

    and nothing to protest 

    anymore

    /

    desiring you still, 

    losing that war. 

    /

    I am the girl you fell in love with

    expanded. 

    /

    with your name on my body

    branded. 

    /

    and granted, you are

    the same. 

    /

    I want to shake that fear

    from your head,

    /

    wash your hair 

    with abrasive hands,

    in hopes that it will open you

    in places you might never learn to close again. 

    /

    (I promise it’ll be good. 

    some things are meant to be open wounds, 

    so long as you are able to live with the blood.) 

    /

    I bring my song to you last,

    /

    I surrender. 

    /

    your love letters

    come when I want them to,

    when I write them for you

    /

    I’m a pretender. 

    /

    I render you mute with 

    words to spare, 

    /

    I put beads into the braids

    in my hair,

    /

    I weave you into my body. 

    /

    (don’t you want to live there?)

    /

    I bring my song to you 

    /

    It’s the last of what I have. 

    /

    I bring myself to you: 

    /

    barefoot 

    and restless,

    yearning

    /

    with no shame in my bones

    with the bravery of an entire country 

    going to war 

    and a desire that no longer 

    knows a home, 

    /

    making excuses

    for why our love didn’t fit. 

    /

    but we never made love 

    /

    we never made love

    /

    we became it.   

  • Conversations with Ceilings

    God

    i say 

    i feel small 

    /

    but i

    don’t fit on the hangers

    in closets

    /

    i swim in a sea

    of my own toxins

    /

    i walk on the walls.

    /

    and i use my voice 

    more than my body,

    /

    for a woman 

    that’s not right.

    /

    i steal the light

    give the light

    hold me tight, 

    /

    please

    make sure it’s tight. 

    /

    the parts of you

    i used to put myself together

    are forever parting;

    /

    we are on separate paths. 

    /

    and i’m still

    waiting for myself

    to emerge from 

    all those halves. 

    /

    so God

    i say 

    make it feel like a dream

    when you do it, 

    /

    please,

    talk me right through it. 

    /

    i love too much 

    write too much

    feel too much

    live too much

    die too much

    speak too much

    want too much

    sing too much 

    /

    I say good morning,

    say good night to it all 

    /

    and still

    i feel

    so

    very

    small.

  • I’ve seen three psychics since I let the idea of

    us go, 

    and a psychiatrist who flirted with me

    /

    because he was your age, 

    so he figured he had a chance

    /

    because I’m fragmented,

    so this is romance.

    this is romance: 

    /

    masculine projections

    that are never enough. 

    /

    old hands, 

    lonely in their longing, 

    soft in the places

    where they’re rough. 

    /

    years worth of fear,

    never found the one,

    so it must be me. 

    /

    why must my womb be a refuge

    for men without mothers? 

    /

    why must my breasts be your airbags, 

    and my long, black hair the covers

    you hide underneath 

    /

    until it’s safe enough for you to 

    act like a man. 

    /

    why must my womb be a refuge

    for men without mothers?

    /

    why must you crawl back into my mind

    to steal another phrase out of my mouth 

    to tuck away into the waistband

    of all your wasted time. 

    /

    my ribbons are torn;

    I’m no good.

    /

    I’m not an artist like you thought. 

    I’m not misunderstood.

    /

    I’m soft flesh 

    over ligaments, 

    and I’ve got a case of

    old matriarchy blues: 

    /

    I’m not the mother life gives you, 

    I’m the mother that you choose. 

    /

    I’m not an artist.

    /

    I’m someone who knows how to love,

    someone who loves

    to lose. 

    /

    someone who loves

    in order to lose

    /

    who loses

    in order

    to love. 

    /

    so,

    take my ribbons,

    pink organs 

    in your ripe

    and useful hands.

    /

    I’ll ask you to feed me, 

    and tie the ribbons back when it’s time. 

    /

    but I’ll never know what I want to eat, 

    (too busy spoon-feeding you attention

    to pay any 

    to my own hunger) 

    /

    and I won’t ask you to have patience 

    for the woman that you need 

    but don’t actually want. 

    /

    and I’ll love you, 

    I’ll love you,

    /

    and you’ll love me, 

    you’ll convince yourself

    that you really do

    /

    because my soul is 

    so contagious, so profound 

    that it’s outrageous,

    that it gives the impression 

    that the receiver has it, too.

    /

    but I am only the vessel, the surrogate 

    for the mother who could not

    love you.